What it frames

The Fujifilm GFX Eterna 55 with the Fujifilm GF 500mm f/5.6 R LM OIS WR, over a 30 cm bird on a 1 m fence post. Everything is drawn to scale: the solid frame is what the camera takes in, the dashed ones are 24, 50 and 135mm on full frame from the same spot. Its Medium format (44 x 33) sensor (43.8 x 32.9 mm) has a crop factor of 0.79, so the dashed frames are marked with the focal length that gives the same view on it.

500mm on the Fujifilm GFX Eterna 55 frames 1.31 m × 99 cm at 15 m: like 395mm on full frame, 5.0° across.

24mm eq. (30mm)50mm eq. (63mm)135mm eq. (171mm)500mm · like 395mm on full frame1.31 m × 99 cm at 15 m
The subject is 15 m away; things behind it are drawn smaller, as the camera sees them.
Inside the frame: the picture you would get.

The numbers

  • Frame at 15 m1.31 m × 99 cm
  • Full-frame equivalent395mm
  • Angle of view5.0° × 3.8°, 6.3° diagonal
  • Depth of field at f/5.614.8 m to 15.2 m (36 cm)
  • Depth of field at f/814.8 m to 15.3 m (51 cm)
  • Hyperfocal at f/5.61223 m
  • Hyperfocal at f/8856 m
  • Circle of confusion0.037 mm
f/5.614.8 m to 15.2 m (36 cm)f/814.8 m to 15.3 m (51 cm)camerasubject, 15 m30 m
Depth of field: what is acceptably sharp, wide open and at f/8, focused on the subject.

How it is worked out

The frame at a distance is distance × sensor size ÷ focal length, across and up; the angle of view is 2 × atan(sensor size ÷ (2 × focal length)). Depth of field uses the thin-lens formulas: the hyperfocal distance H = f² ÷ (N × c) + f, the near limit s(H − f) ÷ (H + s − 2f) and the far limit s(H − f) ÷ (H − s), sharp to infinity from H on, with a circle of confusion c of the sensor diagonal ÷ 1500 and, on a zoom whose aperture changes, the maximum aperture taken linearly between its ends. These are for a rectilinear lens; a fisheye takes in more. Ask for this page with Accept: application/json for the numbers alone.