What it frames
The Fujifilm GFX100 with a 50mm lens (no lens chosen; depth of field at f/2.8), over a 1.75 m person in a street, with a door, a parked car and buildings. Everything is drawn to scale: the solid frame is what the camera takes in, the dashed ones are 24, 50 and 135mm on full frame from the same spot. Its Medium format (44 x 33) sensor (43.8 x 32.9 mm) has a crop factor of 0.79, so the dashed frames are marked with the focal length that gives the same view on it.
50mm on the Fujifilm GFX100 frames 4.38 m × 3.29 m at 5 m: like 40mm on full frame, 47° across.
The numbers
- Frame at 5 m4.38 m × 3.29 m
- Full-frame equivalent40mm
- Angle of view47° × 36°, 57° diagonal
- Depth of field at f/2.84.16 m to 6.27 m (2.11 m)
- Depth of field at f/83.17 m to 11.9 m (8.69 m)
- Hyperfocal at f/2.824.5 m
- Hyperfocal at f/88.61 m
- Circle of confusion0.037 mm
How it is worked out
The frame at a distance is distance × sensor size ÷ focal length, across and up; the angle of view is 2 × atan(sensor size ÷ (2 × focal length)). Depth of field uses the thin-lens formulas: the hyperfocal distance H = f² ÷ (N × c) + f, the near limit s(H − f) ÷ (H + s − 2f) and the far limit s(H − f) ÷ (H − s), sharp to infinity from H on, with a circle of confusion c of the sensor diagonal ÷ 1500 and, on a zoom whose aperture changes, the maximum aperture taken linearly between its ends. These are for a rectilinear lens; a fisheye takes in more. Ask for this page with Accept: application/json for the numbers alone.