Compare lenses
Sigma 50-120mm f/2.8 DC OS Contemporary vs Tamron 70-180mm f/2.8 Di III VC VXD G2
The Sigma 50-120mm f/2.8 DC OS Contemporary and the Tamron 70-180mm f/2.8 Di III VC VXD G2 side by side, computed from this guide's catalogue.
Which to pick
Pick the Sigma 50-120mm f/2.8 DC OS Contemporary if you want a design for APS-C, which usually means smaller and lighter; a fit on more cameras (90 against 57 in this guide); and a lighter lens (390 g against 855 g). Pick the Tamron 70-180mm f/2.8 Di III VC VXD G2 if you want coverage of full frame, so it suits the larger-sensor bodies too.
Specs side by side
| Spec | Sigma 50-120mm f/2.8 DC OS Contemporary | Tamron 70-180mm f/2.8 Di III VC VXD G2 |
|---|---|---|
| Maker | Sigma | Tamron |
| Focal length | 50-120mm (zoom) | 70-180mm (zoom) |
| Full-frame equivalent | 75-180mm on APS-C | 70-180mm |
| Maximum aperture | f/2.8 | f/2.8 |
| Made for | APS-C | Full frame |
| Mounts | Sony E, Fujifilm X, Canon RF | Sony E, Nikon Z |
| Stabilised | yes | yes |
| Autofocus | yes | yes |
| Zoom range | 2.4× | 2.6× |
| Weight | 390 glighter | 855 g |
| Cameras it fits | 90 in this guidefits more cameras | 57 in this guide |
Focal range, in full-frame terms
Aperture
Each opening drawn to scale against f/1.4: a smaller f-number lets in more light and blurs the background more.
Field of view
Cameras they fit
41 cameras in this guide take both, so either works on the same body. In all, the Sigma 50-120mm f/2.8 DC OS Contemporary fits 90 and the Tamron 70-180mm f/2.8 Di III VC VXD G2 57.
Sigma 50-120mm f/2.8 DC OS Contemporary
- Sony FX5
- Sony a7R VI
- Canon EOS R6 V
- Canon EOS R8 Mark II
- Sony FX2
- Sony a7 V
- Canon EOS R6 Mark III
- Canon EOS R50 V
- Fujifilm X-E5
- Fujifilm X-T30 III