Compare lenses
Sigma 40mm f/1.4 DG HSM Art vs Voigtländer Ultron 40mm f/2 Aspherical SL IIs
The Sigma 40mm f/1.4 DG HSM Art and the Voigtländer Ultron 40mm f/2 Aspherical SL IIs side by side, computed from this guide's catalogue.
Which to pick
Pick the Sigma 40mm f/1.4 DG HSM Art if you want a brighter f/1.4 (1.0 stops more light), for dim light and softer backgrounds; autofocus; and a fit on more cameras (105 against 17 in this guide). On these specs the Voigtländer Ultron 40mm f/2 Aspherical SL IIs has no clear advantage: choose it if the price, the handling or a lens you own decides it.
Specs side by side
| Spec | Sigma 40mm f/1.4 DG HSM Art | Voigtländer Ultron 40mm f/2 Aspherical SL IIs |
|---|---|---|
| Maker | Sigma | Voigtländer |
| Focal length | 40mm (prime) | 40mm (prime) |
| Full-frame equivalent | 40mm | 40mm |
| Maximum aperture | f/1.4brighter | f/2 |
| Made for | Full frame | Full frame |
| Mounts | Canon EF, Nikon F, Sony E, L-Mount | Nikon F |
| Stabilised | no | no |
| Autofocus | yesautofocus | no, manual focus |
| Cameras it fits | 105 in this guidefits more cameras | 17 in this guide |
Focal range, in full-frame terms
Aperture
Each opening drawn to scale against f/1.4: a smaller f-number lets in more light and blurs the background more.
Field of view
Cameras they fit
17 cameras in this guide take both, so either works on the same body. In all, the Sigma 40mm f/1.4 DG HSM Art fits 105 and the Voigtländer Ultron 40mm f/2 Aspherical SL IIs 17.
Sigma 40mm f/1.4 DG HSM Art
- Sony FX5
- Sony a7R VI
- Leica SL3-P
- Sony FX2
- Sony a7 V
- Leica SL3-S
- Panasonic Lumix S1 II
- Panasonic Lumix S1 IIE
- Panasonic Lumix S1R II
- Sigma BF